“Sometimes the work felt like some kind of torture. I wanted them to remember, to go back in time, without speaking at all. I was working with strong light (flash), that I directed in the face and eyes of the survivor in a big, empty, dark space and sometimes I felt like I was recreating the conditions of interrogations. Some of the portrayed survivors had undergone interrogation in their past. I felt a bit strange.”

Survivors by Goran Bertok (4/5)

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